My still life drawings are based on direct observation. I am interested in what is discovered and revealed during the process of slow looking and response over a long period of time, as the drawing evolves, creating itself, slowly, one mark at a time.
Iconography, as a branch of art history, interests me as I study various types of traditional icon images, African symbols and Asian calligraphy to determine their use for my own personal interpretations of content and subjects.
I am a process artist whose reward is the journey. My media of choice is printmaking, specifically collagraphs, created by the manipulation of matboard, trash, found objects, with the addition of a variety of acrylic paint and varnishes.