In times of uncertainty, the arts can play an important role in bringing us hope, solace and a sense of community. While the Arkansas Arts Center’s in-person programs are postponed, we are offering creative and engaging arts experiences where many people are now gathering for conversation and connection – online.
Two weeks ago, the Arkansas Arts Center launched Arkansas Arts Center Amplified, a new Facebook group featuring highlights of artworks from the Arkansas Arts Center Foundation Collection, Children’s Theatre performances, artist demonstrations and episodes of “Our Work Continues,” our original web series documenting our move to Riverdale and ongoing programming.
Arkansas Arts Center Amplified will continue to offer engaging arts experiences online while the Centers for Disease Control and Prevention and local public health authorities recommend social distancing. Following guidance from the City of Little Rock and public health officials, the Arkansas Arts Center’s Riverdale location is closed to the public until further notice, and we will continue to provide updates about future programming in the coming weeks.
The Arts Center has also donated gloves and masks from exhibition and Museum School supplies to local hospitals to aid and protect our local healthcare professionals, including providing 800 particulate masks and 900 gloves to the University of Arkansas for Medical Sciences. Additionally, Museum School and Children’s Theatre staff have been utilizing fabric supplies and sewing masks at home to provide to the Central Arkansas Veterans Healthcare System.
During this time, I want you to know that construction on the reimagined Arkansas Arts Center in MacArthur Park continues on schedule, with additional health and safety precautions in place to ensure the safety of those working on site. The renovated Arkansas Arts Center is scheduled to reopen in Spring of 2022.
Your membership is a vital part of sustaining the Arts Center at this critical time. We are continuing to pay the salaries of our staff, our Museum School instructors and theatre artists during our closure, and we are hard at work on ways to provide you with exclusive member events and benefits in a digital format. Thank you for your ongoing support.
On a global scale, what we are experiencing right now is unprecedented. Our arts community, like so many others, is facing historic challenges. Our connection to the arts is the very thing that reminds us of our humanity and our resilience.
If you have ever considered becoming a member or making a donation, we ask that you join us now. We are committed to standing alongside our community as we emerge from this moment, but we need your help to do it. Together, we can ensure the continued growth of the Arts Center and the arts in Arkansas.
Please stay well, and we hope to see you very soon, Executive Director Victoria Ramirez and the staff of the Arkansas Arts Center
Digital engagement provides community arts
While the Arkansas Arts Center’s in-person programs are postponed, the center is offering creative and engaging arts experiences where many Central Arkansas residents are now spending the majority of their time – online.
week, the Arkansas Arts Center launched Arkansas Arts Center Amplified,
a new Facebook group featuring artist demonstrations, highlights of artworks
from the Arkansas Arts Center Foundation Collection, Children’s Theatre
performances and episodes of “Our Work Continues,” an original web series
developed by the center.
School instructors have filmed videos from their homes offering step-by-step
art projects, prompts and artist demonstrations, and hashtags are being used by
museums across the country and the world offer opportunities to share art. #MuseumMomentsofZen
focuses on calming artworks and #MuseumfromHome offers an opportunity to share
favorite Arkansas Arts Center Collection works.
For many parents navigating working from home with young children, the center offers online performances and art activities utilizing commonly found items.
Children’s Theatre, unable to continue its touring shows during this time, hosted
a Facebook Watch Party of Wynken, Blynken, and Nod: A Play for the Very
Young on Saturday. The Watch Party was followed by a live-stream Q&A
with Interim Artistic Director Katie Campbell and an at-home art activity led
by Museum School Associate Director Miranda Young. Both videos are available
for viewing in the new Facebook group.
The Arts Center has also donated gloves, masks and
respirators from exhibition and Museum School supplies to local hospitals to
aid and protect our local healthcare professionals, including providing 800
particulate masks and 900 gloves to the University of Arkansas for Medical
Sciences. Additionally, Museum School and Children’s Theatre staff have been
utilizing fabric supplies and sewing masks at home to provide to the Central
Arkansas Veterans Healthcare System.
Arkansas Arts Center Amplified will
continue to offer engaging arts experiences online while the Centers for
Disease Control and Prevention and local public health authorities recommend
social distancing. Following
guidance from the City of Little Rock and public health officials, the Arkansas
Arts Center’s Riverdale location is closed until further notice. The center will
continue to provide updates about future programming in the coming weeks.
During this time, construction on the reimagined Arkansas Arts Center in MacArthur Park continues with additional health and safety precautions in place to ensure the safety of those working on site. Increased precautions include additional hand-washing stations and OSHA trainings, social distancing and increased shifts, with fewer workers on site at any given time. The renovated Arkansas Arts Center is scheduled to reopen in Spring of 2022.
The Arkansas Arts Center continues to monitor the constantly shifting situation regarding the spread of COVID-19. Following guidance from the City of Little Rock and public health officials, the Arkansas Arts Center’s Riverdale location will be closed to the public starting close of business on Friday, March 13 and remain closed until further notice.
Your health and the health of our staff is our highest priority at this time. We have been taking proactive precautionary measures for the past several weeks, including implementing rigorous cleaning routines and staying up to date on Centers for Disease Control and Prevention and Arkansas Department of Health recommendations. While we don’t currently have any confirmed cases of COVID-19 connected to the AAC, we believe this time calls for us to postpone or minimize gatherings while maintaining the cleanest environment possible. We want to take all prudent steps to ensure a safe and healthy environment for our community.
All programming through March 30 is canceled or postponed. We are continuing to closely monitor the situation, and will make updates about future programming in the coming weeks.
Below is a list of programs that are canceled or postponed:
Friday, March 13 – Monday, March 16: Museum School classes and workshops
Monday, March 16: Art Together at the Central Arkansas Library System’s Cox Building
Monday, March 16: Contemporaries “Night at the Museum School”
Wednesday, March 18: ArtStart! at CALS Hillary Rodham Clinton Children’s Library and Learning Center
Friday, March 20 – Sunday, March 22: Pay What You Can performances of The Arkansas Story Porch and Wynken, Blynken, and Nod: A Play for the Very Young at the Arkansas Arts Center’s Riverdale Location
Monday, March 23 – Friday, March 27: Spring Break Camps, including Color Me Crazy and Cosplay Quest, at the Arkansas Arts Center’s Riverdale Location
Tuesday, April 7:Why Have You Not Heard of These Artists? An Overlooked Generation of Abstract Painters: A Conversation with Melissa Messina at CALS Ron Robinson Theatre
From Paris, France to Washington D.C. to Cleveland, Ohio, works from the Arkansas Arts Center Foundation Collection have traveled near and far to be part of exhibitions across the country – and the world. Be sure to check out Contemporary British Studio Ceramics, currently on view at the University of Arkansas at Little Rock and The Mighty Mississippi and Defender, both on view at the Clinton Presidential Center this spring. And if you happen to find yourself in Cleveland or Washington, D.C., be sure to stop in and see Diego Rivera’s Dos Mujeres or Edgar Degas’ Trois danseuses nues.
Windgate Center of Art + Design, University of Arkansas at Little Rock January 16 – March 7, 2020
Contemporary British Studio Ceramics from the Arkansas Arts Center Foundation Collection
What is it? A broad look at the diversity of 20th century British Studio Ceramics from the Arkansas Arts Center Foundation Collection. The exhibition features both functional wares – bowls and teapots – alongside purely sculptural works – like Gordon Baldwin’s Untitled.
Why here? This exhibition is a great learning opportunity for students. The Windgate Center of Art + Design on the University of Arkansas at Little Rock is a “teaching museum” – a resource for art students and the community alike. The exhibition illustrates a rich variety of techniques and forms, ranging from slab-building, hand-building and wheel throwing, to neriage and nerikomi –traditional Japanese methods using “marbleized” clay – to the 17th- and 18th-century “agatewares” of England.
Why now? Brad Cushman, gallery director at the Windgate Center, jumped at the opportunity to borrow this collection of ceramic works while the Arts Center’s building is under construction. The selection currently on view is only half of the works on loan to the Windgate Center – a second exhibition of studio ceramics from the AAC collection will be on view in the fall.
Degas at the Opera
National Gallery of Art, Washington, D.C. March 1 – July 5, 2020
What is it? Degas at the Opera presents an exploration of the famed French Impressionist’s love for the opera as it was depicted throughout his career. Degas’ Trois danseuses nues (Three Nude Dancers), a charcoal drawing from the Arkansas Arts Center Foundation Collection is featured in the exhibition. Made by Degas in the first few years of the 20th century, the drawing shows three dancers pausing for a moment as one leans down to adjust the ribbon on her shoe.
Why here? The curators of Degas at the Opera were particularly interested in the Arts Center’s drawing because of its relationship to another Degas drawing in the Musée d’Orsay’s collection. The two drawings, presented side-by-side in the exhibition, depict the same group of dancers with one figure reaching down to adjust her ballet shoe. They’re both charcoal sketches – and together, they show how the artist was working out a composition before adding costumes, color and other details.
Why now? Degas at the Opera was organized by the Musée d’Orsay in Paris to celebrate the 350th anniversary of the Paris Opera. The exhibition was on view in Paris from last fall and continues its tour at the National Gallery of Art in Washington, D.C. this spring.
Height x Width x Depth: Sculpture from the Arkansas Arts Center Foundation Collection
Bradbury Art Museum, Arkansas State University, Jonesboro, Arkansas
What is it? Height x Width x Depth features 15 large-scale sculptural works from the Arkansas Arts Center Foundation Collection. From Louise Nevelson’s monochromatic wood construction, Tide Garden IV, to Auguste Rodin’s bronze Bust of Young Balzac to ceramicist Jun Kaneko’s hand-built Untitled (Oval), the exhibition represents the breadth of sculptural works found in the Arts Center’s collection. The exhibition’s title, Height x Width x Depth, references not only the physicality of the objects on view but also the delightful depth of the Arts Center’s collection.
Why here? Curator Les Christensen sought an opportunity to create a cohesive exhibition that would also represent as many basic materials and methods in three-dimensional art as possible for the on-campus museum. And Height x Width x Depth does just that – combining additive, subtractive and constructive processes and figurative and abstract forms to create a broad look at modern and contemporary sculpture.
Why now? The logistics of loaning and installing large-scale sculptural works can be challenging – making short-term loans less practical. With an extended loan period (Height x Width x Depth will be on view at the Bradbury Art Museum for two years), this was the perfect opportunity for these works to spend some time in Jonesboro.
The Mighty Mississippi: HeART and Soul of the Southern Delta
Clinton Presidential Center, Little Rock, Arkansas December 14, 2019 – March 22, 2020
What is it? The Mighty Mississippi: HeART and Soul of the Southern Delta presents elements of culture from the last 120 years with roots in Arkansas, Mississippi and Louisiana. The exhibition features a selection of visual art that brings visitors face-to-face with the privilege and poverty that define life in the Southern Delta, including 12 paintings, drawings, photographs and craft objects from the Arkansas Arts Center Foundation Collection.
Why here? The Mighty Mississippi is part of the Clinton Presidential Center’s Fusion: Arts and Humanities Arkansas series which explores heritage, culture and human achievement by weaving the arts and humanities together. HeART and Soul of the Southern Delta is the fourth installment in the series.
Why now? The Arkansas Arts Center’s collection includes a variety of works that fit the Fusion theme, The HeART and Soul of the Southern Delta. Works by Carroll Cloar, William E. Davis and Robbie McClaran – among others – explore the history, landscape and people of the Southern Delta and add depth to the Clinton Center’s exploration of history, music and culture in the region.
Clinton Presidential Center, Little Rock, Arkansas
What is it? Defender, David Deming’s imposing abstract steel sculpture, is on view in the Clinton Presidential Center’s second-floor galleries. Stationed in front of a bank of windows, the sculpture’s heavy limbs appear to struggle to break free from their base and walk across the gallery.
Why here? Defender was briefly installed on the White House grounds during the Clinton presidency. In 1995, former Arts Center director Townsend Wolfe curated an exhibition of 20th-century American sculpture to grace the White House grounds. True to its title, Defender stood sentinel near the garden entrance, serving as a sort of protector to the first family and guests.
Why now? The Arts Center is always looking for ways to build relationships and partnerships with our arts and cultural neighbors in Little Rock and beyond. Installing Defender at the Clinton Center presented an opportunity to show a work from the Arkansas Arts Center Foundation Collection that has a distinct connection to the Clinton Center’s mission.
Cleveland Museum of Art, Cleveland, Ohio
What is it? Diego Rivera’s 1914 cubist masterpiece, Dos Mujeres, is on view at the Cleveland Museum of Art in Cleveland, Ohio. The painting, which came to the Arts Center in 1955, was painted while Rivera was working in Paris and exploring Cubism. It depicts two women in Rivera’s apartment with the Montparnasse rooftops clearly visible through the windows.
Why here? The Cleveland Museum of Art has extensive holdings of painting by the Cubists – Pablo Picasso, Georges Braque and Juan Gris, among others. Dos Mujeres was informed by the work of these masters of the movement – and its visit to Cleveland will allow it to spend some time in conversation with these other great works.
Why now? The Arts Center’s renovation schedule provided the perfect opportunity for the Cleveland Museum of Art to borrow this exceptional work. In return, the Arts Center will host reciprocal loans from Cleveland’s collection after the new MacArthur Park building opens in 2022.
This partnership between between the Arkansas Arts Center and the Central Arkansas Library System is designed to build long-term creative connections between the two Central Arkansas cultural organizations.
“Between one and three percent of a museum’s collection is on view at any given time,” said Brian J. Lang, Chief Curator and Windgate Foundation Curator of Contemporary Craft. “This partnership with CALS allows us to display nearly 10 percent of our 1,500-object craft collection.”
What is Contemporary Craft? Have you ever wondered what we mean when we talk about contemporary craft? The word “craft” historically refers to objects made from traditional materials – ceramic, glass, fiber, metal, and wood – including both functional wares and sculptural objects. Whatever their use, all of these objects invite us to consider texture, form, function as well as the role of the maker and the processes used to create the object. The Arts Center’s contemporary craft collection, in particular, focuses on works that represent exemplary craftsmanship or a unique approach to materials.
At Main Library in downtown Little Rock, visitors will find large-scale ceramic sculptures installed throughout the building, principally in elevator lobby areas and on the main floor.
At Bobby L. Roberts Library of Arkansas History & Art, two sculptures from Wendy Maruyama’s The Tag Project honor Japanese Americans sent to Arkansas internment camps during World War II. The works, titled Rohwer (The Tag Project) and Jerome (The Tag Project), are part of a series of works representing each of the ten American internment camps. The sculptures are made of tea- and coffee-stained reproduction tags, each bearing the name and unique number of people interned at Rohwer and Jerome in Arkansas.
A selection of whimsical toys from past Toys Designed by Artists exhibitions is on view at Hillary Rodham Clinton Children’s Library and Learning Center. At the base of the grand stair, visitors will also find Judy Onofrio’s Just Pretending. Fondly known as “The Mermaid,” Onofrio’s found-object assemblage sculpture is a favorite of Arts Center visitors.
Named after the noted women’s rights and integration advocate, Adolphine Fletcher Terry Library features a selection of ceramics made by significant women artists, including Anne Hirondelle, Betty Woodman, Karen Karnes, Laurie Spencer, and Rosemary Fisher.
Amy Sanders Library in Sherwood, a selection of basketry and fiber works
made from repurposed or recycled materials will complement the library’s active
STEM education program.
complement Roosevelt Thompson Library’s robust menu of culinary-themed
events (including programs focused on tea), “Teapots at Thompson” features
nearly 25 craft teapots in a variety of media.
by forest, “A Woodland DEE-Light” at Dee Brown Library features an
installation of works made from wood, containing references to wood, as well as
ceramics made in wood-fired kilns. Margaret Keelan’s Young Girl with Moths,
a ceramic work made to look as if it is carved from wood will be on view at Dee
Max Milam Library, located in Perryville’s rich agricultural community,
an installation of works in metal is inspired by the weathered metal machinery
dotting the rural landscape.
Inspired by the building’s sleek contemporary concrete-and-glass design, the installation at Sid McMath Library features a selection of notable works in glass spanning a century of American studio glass production. Works on view include George Thiewes’ Oval Form, and several examples by Louis Comfort Tiffany.
At the Esther DeWitt Nixon Library, which serves Jacksonville and the Little Rock Air Force Base, visitors will find artwork inspired by the military experience and aviation. Terry Lee Dill’s Homage to J. Smith – World War I Tank depicts an abstracted tank in cast iron and bronze and Larry Page’s Captain Sky Teapot shows a pilot at the helm of an airplane.
for Pulitzer-Prize winning author, John Gould Fletcher Library will host
a selection of works that celebrate and illustrate the power of language and
the written word. The installation includes Jack Earl’s whimsical ceramic dog
wearing glasses that spell D-0-G.
Library, located adjacent to Lake Valencia, features an installation titled
“Gone Fishin’,” which includes several works with a boating and fishing theme.
Among them are Katie Hudnall’s Monster Fishing Kit in wood, metal and glass,
and Bill Griffith’s stoneware Boat Form.
Wrightsville’s Millie Brooks Library, an installation of works made from
pine and other natural materials echoes the tall stands of pine trees that
surround the building. The installation features a basket made from white oak,
coralberry, and waxed linen thread by Arkansas Living Treasure Leon Niehues; a
coiled pine needle basket by Neil Prince; and a wall sculpture made from
coconut fibers by Romanian artist Ritzi Jacobi.
The Sue Cowan Williams Library, located near Dunbar Garden, will feature garden-themed works. The ceramics on view include floral imagery, fruits, vegetables, birds, and bees, all celebrating the natural abundance of the Earth. Farraday Newsome’s ceramic vases depict garden themes, and Jesse Small’s Flower Ghosts each explore a different floral pattern.
Fitting beautifully into Oley E. Rooker Library’s soaring, light-filled reading room is a monumental ceramic sculpture, Coupling by American artist Patti Warashina.
As one of the longest-running and
most prestigious juried art exhibitions in the region, the Annual Delta
Exhibition represents the Arts Center’s commitment to artists living and
working in our community today – and to continuing to grow artistic talent in
the region. Expanding the Delta Exhibition into the community is part of
the Arts Center’s mission to remain
vibrant, accessible and community-oriented while the MacArthur Park building is
The call for entries for
the 62nd Annual Delta Exhibition opens January 13. The
deadline to enter is March 22, 2020. The call for entries is open to all
artists who live in or were born in Arkansas and its border states: Arkansas,
Louisiana, Mississippi, Missouri, Oklahoma, Tennessee or Texas.
“The legacy of the Delta
Exhibition is an integral part of the Arkansas Arts Center’s past,”
Executive Director Victoria Ramirez said. “As the Arts Center looks toward its
future, we’re proud to work with partners across our community to continue to showcase
art from the region that will educate and inspire.”
The exhibition will be
displayed across four locations in downtown Little Rock and North Little Rock.
The Argenta Branch of North Little Rock’s Laman Public Library joins the roster
of previously announced host venues in North Little Rock. The 62nd
Annual Delta Exhibition will open with a lecture by Fedor on June 18 at the
Central Arkansas Library System’s Ron Robinson Theater.
“As an expert in
contemporary art from outside our region, Ms. Fedor brings a keen and
experienced eye to the Delta Exhibition,” Chief Curator Brian J. Lang said.
“Undoubtedly, the works she selects for the exhibition will help us see our
communities – and
our region – in a new light.”
With more than 25 years of
experience in visual arts programming, Fedor has helped the Visual Arts Center
achieve its mission to celebrate and support the creative life of all people
through art-making, exhibitions and community programs. Before joining VisArts,
she served as the executive director of the Arlington Arts Center where she
directed an artist residency, exhibitions and arts education program supporting
emerging artists. During her tenure, Arlington Arts Center expanded its
classroom and student capacity, produce an ongoing series of public art
projects, and launched a curatorial incubator for emerging curators.
Fedor previously served as
assistant director of the American University Museum at the Katzen Arts Center
where she presented over 80 exhibitions of contemporary art featuring the work
of both emerging and internationally renowned artists. While at AU, Fedor
partnered with national and international arts and culture organizations to
create a wide range of free public programs focused on contemporary arts and
ideas. She has additionally managed and directed exhibitions programs at the
Maryland Institute College of Art and New York University. Fedor served on the
Board of Directors for ArtTable as the VP of Membership, and has curated and
juried multiple exhibitions in Washington D.C., Baltimore and New York. Fedor earned
a Bachelor’s degree in studio art from the School of the Art Institute of Chicago
and a Master’s in visual arts administration from New York University.
Showcasing artists born in
or living in Arkansas and its border states, the Annual Delta
Exhibition presents a vision of contemporary art in the
American South. Founded in 1958, the exhibition provides a unique snapshot of
the Delta region and features work in all media. The exhibition reflects the
region’s strong traditions of craftsmanship and observation, combined with an
innovative use of materials and an experimental approach to subject matter.
Argenta Arts District is thrilled to have been chosen as a partner in the
Arkansas Arts Center’s signature event, their Delta Exhibition for 2020,”
arts promoter John Gaudin said. “As one of three locations in Argenta, the
Laman Library’s Argenta Branch Gallery is a state-of-the-art exhibition space
that was designed for just such an occasion.”
Artworks from the exhibition
will also appear at the Historic Arkansas Museum in Little Rock and the Thea
Foundation and ACANSA Gallery in the Argenta Arts District in downtown North
“Historic Arkansas Museum is delighted to
serve as a co-host for the Arkansas Arts Center’s 62nd Annual Delta
Exhibition,” said Swannee Bennett, Historic Arkansas Museum Director and
Chief Curator. “This is a marvelous example of the Arkansas arts community
working together to bring together important works by many of the most talented
artists working today.”
To be eligible for entry,
work must be completed during the last two years and must not have been
exhibited previously at the Arkansas Arts Center, Historic
Arkansas Museum, ACANSA Gallery, Thea Foundation or Argenta Branch Library.
Fedor will select the works to be featured in the exhibition as well as a Grand
Award winner and two Delta Award winners. The Contemporaries, an auxiliary
membership group of the Arkansas Arts Center, will also select a Contemporaries
Award proves transformational power of the new cultural hub for Arkansas
The Arkansas Arts Center’s reimagined MacArthur Park building was named the winner of the 2019 The Architect’s Newspaper Best of Design Awards in the Unbuilt – Cultural category.
Designed by renowned architecture firm Studio Gang, the new building’s distinctive architectural identity signifies the Art Center’s role as a cultural beacon for the future of Arkansas while celebrating the institution’s proud legacy. Scheduled to open in 2022, the project will strengthen the Arkansas Arts Center as the region’s leading visual and performing arts institution.
The Architect’s Newspaper Best of Design award honor
exceptional architecture, design and building projects throughout Canada,
Mexico and the United States. The annual awards also point to trends in the
“Sensitivity and subtlety were at a premium,” The Architect’s Newspaper editors wrote of this year’s awardees. “Winners were chosen for their contextual, tactical approaches rather than big, bombastic ideas.”
Studio Gang’s design for the reimagined Arkansas Arts Center creates where the community can enjoy all the benefits of engaging with the arts. The new building will feature two entrances – the north courtyard entrance features a nod to past in the beautifully preserved 1937 façade of the Museum of Fine Arts. The south entrance opens into MacArthur Park. Prominent glass-enclosed spaces at either entrance welcome visitors into the building from MacArthur Park at the south and downtown Little Rock at the north.
visitors will find expertly lit galleries to feature the Arts Center’s
14,000-work collection of international art. A full schedule of dynamic special
exhibitions will celebrate the artistic history and current work of the Delta
region while bringing world-class exhibitions from around the world to Little
Rock. The Museum School will feature fully equipped studios for drawing,
painting, printmaking, ceramics, glass, wood, and metalsmithing classes for
children and adults, along with a gallery space for displaying student work. State-of-the-art
main stage and black box theatre spaces will host Children’s Theatre
programming, films and performing arts events. The innovative “Living Room”
will create space for community and social gatherings, quiet reflection, and
everything in between with views of downtown Little Rock. A full-service
restaurant will feature
indoor and shaded outdoor seating overlooking MacArthur Park. The design
also includes a Museum Shop, collections research room, and a lecture hall for
The project also features a revitalized MacArthur Park landscape, designed by Kate Orff and SCAPE. The landscape, inspired by Little Rock’s unique ecologies, will expand the connections between the building and MacArthur Park through native and sustainable planting and water reclamation. Landscape pathways, a great lawn and open areas will allow for vibrant, outdoor community programming.
reimagined Arkansas Arts Center will be a place that showcases art that
educates, inspires, provokes and beautifies our lives,” Executive Director
Victoria Ramirez said. “We imagine this project as
one that will chart the future of the arts in Little Rock, and we are honored
to see that it is already being recognized as such.”
transformation of the Arkansas Arts Center into a state-of-the-art facility
will be realized through a $128 million special fundraising campaign, Reimagining
the Arkansas Arts Center: Campaign for Our Cultural Future. The campaign
will also provide transition and opening support, while also strengthening the
Arkansas Arts Center Foundation’s endowment, yielding support for operations,
exhibitions, acquisitions, and education and outreach programming in the new
building. At the October 1 groundbreaking ceremony, capital campaign co-chairs
Harriet and Warrant Stephens announced that the campaign has raised more than
$122.7 million of its $128 million goal.
Gang is an architecture and urban design practice headquartered in Chicago,
with offices in New York, San Francisco and Paris. Founded and led by MacArthur
Fellow Jeanne Gang, Studio Gang’s award-winning work ranges in scale and
typology from the 82-story Aqua Tower to the 14-acre Nature Boardwalk at
Lincoln Park Zoo, both located in Chicago. Gang has been recognized for a
design process that foregrounds the relationship among people and their
environments, and is the only architect named to TIME Magazine’s list of the
100 Most Influential People of 2019. Studio Gang is currently designing
cultural and civic projects across the Americas, including an expansion to the
American Museum of Natural History in New York, a new Center for the University
of Chicago in Paris, a new United States Embassy in Brasilia, and a Global
Terminal at O’Hare International Airport in Chicago. This is Studio Gang’s
first project in Arkansas.
founded by landscape architect and MacArthur Fellow Kate Orff, is a
design-driven landscape architecture and urban design studio based in New York.
They believe landscape architecture can enable positive change in communities
through the creation of regenerative living infrastructure and public
landscapes. SCAPE works to integrate natural cycles and systems into
environments across all scales, from the urban pocket-park to the regional
ecological plan. They do this through diverse forms of landscape architecture –
built landscapes, planning frameworks, research, books, and installations –
with the ultimate goal of connecting people to their immediate environment and
creating dynamic and adaptive landscapes of the future.
During construction, the Arkansas Arts Center has moved from its current facility in MacArthur Park into a temporary location at the Riverdale Shopping Center at 2510 Cantrell Road in Little Rock. Classes, education programs, and performances will continue at the temporary location from Fall 2019 through the new Arts Center’s planned Grand Opening in 2022.
By Katie Hall Collections Manager and Head Registrar
Edgar Degas’s Trois danseuses nues from the Arkansas Arts Center Foundation Collection is currently on view in Degas at the Opera, an exploration of the French impressionist’s fondness for the Paris Opera to celebrate its 350th anniversary. Katie traveled with the drawing as a courier on its way to Paris this fall. Here, she shares insights from her international adventure.
The Arkansas Arts Center has a world-renowned collection of international art – and museums around the world are often interested in borrowing works from our collection for exhibitions exploring various artists, themes and movements. A few years ago, the Musée d’Orsay in Paris reached out to us about Degas at the Opera, which they were developing in partnership with the National Gallery of Art in Washington, D.C., to mark the 350th anniversary of the Opéra national de Paris. The curators of the exhibition were interested in borrowing Degas’ Trois danseuses nues (Three Nude Dancers) from our collection. The charcoal drawing, made by Degas in the first few years of the 20th century, shows three dancers pausing for a moment as one leans down to adjust the ribbon on her shoe.
As one of the people at the Arts Center tasked with keeping the collection safe, it’s my responsibility to ensure that the work is fit to travel and that the museum it’s traveling to will maintain safe environmental conditions during the exhibition. For some loans, that even means a member of the Arts Center’s exhibitions team will accompany the work to oversee the transportation, unpacking, and installation of the artwork. With Trois danseuses nues traveling to Paris for Degas at the Opera earlier this fall, I served as the courier.
Our journey began in Dallas, where we caught a plane to Paris along with several other artworks and couriers from American museums bound for the same exhibition.
Arriving in Paris, the work was delivered to the Musée d’Orsay, where it stayed in its crate to acclimate to the environment in the space.
The next day, I returned to the museum to help unpack and install the artwork among works from the Musée d’Orsay, the Bibliothèque nationale de France and others.
The curators of Degas at the Opera were particularly interested in the Arts Center’s drawing because of its relationship to another Degas drawing in the Musée d’Orsay’s collection. The two drawings, presented side-by-side in the exhibition, depict the same group of dancers with one figure reaching down to adjust her ballet shoe.
They’re both charcoal sketches – the artist was clearly working out a composition before adding costumes color and other details. Seeing these works together, it became clear to me that the Arts Center’s drawing is really a highlight of the exhibition.
While every loan does not require a courier, I travel a lot for my job and I’ve met a lot of museum professionals along the way. People I meet are sometimes surprised to realize the depth and breadth of our collection. I often hear some version of an incredulous “this is in Arkansas? I had no idea!” Seeing it installed at the Musée d’Orsay alongside works from some of the world’s most influential collections, I was excited to see that the Arkansas Arts Center’s collection is making an impact on an international audience.
Degas at the Opera was organized by the Musée d’Orsay and Musée de l’Orangerie, Paris and the National Gallery of Art, Washington, where it will be presented from 1 March to 5 July 2020 on the occasion of the three hundred and fiftieth anniversary of the Paris Opera.