In my most recent work, Cracks in the Landscape Series, I have been focused on manipulating the agricultural landscapes that one sees on the eastern half of Arkansas. These works are first taken on a 1980’s era Polaroid Instant camera. After the image has developed, I take the actual photo apart and soak it. I then remove the film or skin on which the image sits and then place it carefully on basswood or other suitable backing. At this point the image can be moved, twisted, pulled or folded. Almost as if it were a piece of unique, delicate fabric. Working in this way it is difficult to predict what the image will do. Sometimes they break or tear sometimes not. I think the imperfections are what make these landscapes so inviting. These images are meant to capture a quietness and stillness of the landscapes they represent.
– Carrie Ballinger Porter
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